Archives: Artists

Leslie Hudson (they/them/their) is an indie musician, recording artist, and award-winning songwriter. After a decade of teaching in Montessori schools, they left the profession to make music full-time and never looked back. Nine albums and multiple international tours later, Leslie is set to release their 12th solo album, Reset to Factory Specs, this summer.

In 2017, after 4 years of open mics, songwriter showcases, album release concerts, and jamming with friends, Leslie packed their car and headed out on the greatest adventure of their life. Their inaugural Goddess Revolution Tour lasted 6 months, included shows with S. J. Tucker, Tricky Pixies, The PDX Broadsides, The Honey Badgers, Treading Bleu, and dozens more, as they drove through 48 states and 3 provinces, coast to coast, from the Great Lakes to the Gulf. That tour would inspire them to later write their faerie-themed and first crowdfunded album, Keep Left at the Fork.

Inspiration is never in short supply. With special interests in Irish language, East Coast music, Star Trek, folklore, corvids, and poisonous plants, Leslie’s albums, EPs and singles cast a wide net. Stylistically, although the piano remains an almost constant, their releases range from folk to rock to jazzy to indie-pop. Thematically, they jump from confessional to sci fi to ancient myth. Their favourite kind of album is one that tells a story, so whether it’s the witch in Hansel and Gretel or the Borg Queen, Leslie climbs inside the minds of their characters and gives them a voice.

Their passionate devotion to their craft has earned them a following in many music-loving communities, including bar crowds, pagan gatherings, filk conventions, UU churches, and in dozens of living rooms across Canada and the US. In 2018, Leslie travelled to Germany as the Guest of Honour at Contrapunkt, where they recorded their first live album, the StorySinger set: Live in Germany, a collection of songs from their Wanderlings albums and recordings of the stories they tell between them.

However, touring 6-8 months of the year took its toll and by the end of 2019 it was clear something was wrong. Leslie decided to cancel their obligations in 2020 to stay home to recover their mental health, and they spent that year healing even as their mother was given a terminal diagnosis and passed away in the fall. Turning to the piano, Leslie wrote a song a week and found their way through. In 2021, they released an organic, collaborative project and their first witchy album, Hemlock Honey and Crows. Relaunching their Patreon with a Poisoner School side-quest on its heels, the Deluxe Album soon followed.

As an autistic musician, writer and performer, mental health has been an underlying theme of Leslie’s work since their diagnosis at age 34. Their latest album, Reset to Factory Specs, brings recovery from trauma to the forefront and tells another story: this time a personal one. In their spare moments, they can be found with a dog in their lap and a glass of red wine watching DS9.

Paul Evansmith is an experienced multi-instrumentalist specializing in composition for film/dance and improvised music. His main backgrounds are from American Jazz, Classical, an eclectic mix of international styles as well as “just everyday soundscapes.” A writer as well, Paul breaths poetry into whatever instrument he touches. Paul majored in classical oboe and saxophone performance, as well as studying flute, percussion and music composition first in a commercial music degree at CalState Long Beach and continuing at Arizona State University. In Arizona he worked as a staff composer and accompanist for ASU’s dance department and professional theaters companies. Currently he works for the Lewis and Clark dance department accompanying classes as well as performing with various projects around Portland. Some of those associations are Vagabond Opera & Hungry Opera Machine, AnnaPaul and the Bearded Lady, Wanderlust Circus Orchestra, Klezmocracy, Three for Silver, Baksana, The Cedar Project, and many more.